Vienna: Secession Building

Secession Building, 1897-1898. Architect: Joseph Maria Olbrich
Secession Building, 1897-1898. Architect: Joseph Maria Olbrich

Secession Building, 1897–1898. Architect: Joseph Maria Olbrich

Secession Building, 1897-1898. Architect: Joseph Maria Olbrich

Secession Building, 1897–1898. Architect: Joseph Maria Olbrich

Secession Building, 1897-1898. Architect: Joseph Maria Olbrich

Secession Building, 1897–1898. Architect: Joseph Maria Olbrich

Secession Building, 1897-1898. Architect: Joseph Maria Olbrich

Secession Building, 1897–1898. Architect: Joseph Maria Olbrich

Secession Building, 1897-1898. Architect: Joseph Maria Olbrich

Secession Building, 1897–1898. Architect: Joseph Maria Olbrich

Secession Building, 1897-1898. Architect: Joseph Maria Olbrich

Secession Building, 1897–1898. Architect: Joseph Maria Olbrich

Secession Building, 1897-1898. Architect: Joseph Maria Olbrich

Secession Building, 1897–1898. Architect: Joseph Maria Olbrich

1897 – 1898

Architect: Joseph Maria Olbrich

Friedrichstrasse 12, Vienna

The exhibition building of the artists‘ association Secession in Vienna was built between 1897 and 1898 according to plans by Joseph Maria Olbrich.

Below the dome, the motto of the Secession is embla­zoned in golden letters: Der Zeit ihre Kunst, der Kunst ihre Freiheit (by Ludwig Hevesi).

To the left of the entrance door is a second motto: Ver Sacrum (Holy Spring), which is meant to express the hope for a new flowering of art and was the title of the artists‘ association’s publi­cation.

The building rests on eight-meter-high concrete columns that reach down to the Vienna River, which flows under­ground at this point.

Gustav Klimt’s Beethoven Frieze, origi­nally created in 1902 for a temporary exhibition at the Vienna Secession, is now back there on permanent loan from the Belvedere and can be seen in the basement.

The cubic building with four pylons and a cross wing is crowned by a dome formed by laurel leaves in gilded bronze.

Above the entrance there is a frieze with gorgons symbo­lizing painting, archi­tecture and sculpture. The design of the gorgons was done by Othmar Schimkowitz.

The side facades of the building are adorned with groups of owls and a roundelay of wreath-bearing women designed by Koloman Moser, as well as abstract line decora­tions by Josef Hoffmann.

Gustav Klimt’s brother Georg designed the bronze entrance doors. The two mosaic bowls next to the staircase leading to the entrance portal are by Robert Oerley.

In December 2017, the facade was renovated and the dome was restored.

The wrought-iron construction of the dome with a diameter of 8.5 meters was dismantled for a period of about six months.

In addition to repair welding and impro­ve­ments to the supporting structure, all 2,500 leaves and 311 berries were recoated and regilded.

The resto­ration of the dome was completed in mid-May 2018.

Secession Building, 1897-1898. Architect: Joseph Maria Olbrich

Secession Building, 1897–1898. Architect: Joseph Maria Olbrich

Secession Building, 1897-1898. Architect: Joseph Maria Olbrich

Secession Building, 1897–1898. Architect: Joseph Maria Olbrich

Secession Building, 1897-1898. Architect: Joseph Maria Olbrich

Secession Building, 1897–1898. Architect: Joseph Maria Olbrich

Secession Building, 1897-1898. Architect: Joseph Maria Olbrich

Secession Building, 1897–1898. Architect: Joseph Maria Olbrich

Secession Building, 1897-1898. Architect: Joseph Maria Olbrich

Secession Building, 1897–1898. Architect: Joseph Maria Olbrich

Secession Building, 1897-1898. Architect: Joseph Maria Olbrich

Secession Building, 1897–1898. Architect: Joseph Maria Olbrich

Secession Building, 1897-1898. Architect: Joseph Maria Olbrich

Secession Building, 1897–1898. Architect: Joseph Maria Olbrich

Secession Building, 1897-1898. Architect: Joseph Maria Olbrich

Secession Building, 1897–1898. Architect: Joseph Maria Olbrich

Secession Building, 1897-1898. Architect: Joseph Maria Olbrich

Secession Building, 1897–1898. Architect: Joseph Maria Olbrich

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