Karlsruhe: Dammerstock Estate

Mehrfamilienhaus, Dammerstock Siedlung Karlsruhe, 1929, Architekt: Otto Haesler
Dammerstock Estate, 1928-1929. Architect: Otto Haesler. Photo: Daniela Christmann

Dammerstock Estate, 1928–1929. Architect: Otto Haesler. Photo: Daniela Christmann

1928 – 1929

Architects: Walter Gropius, Otto Haesler, Franz Roeckle

Danziger Straße 1–3, Karlsruhe, Germany

Dammerstock is a housing estate in the Weiherfeld-Dammerstock district of Karlsruhe.

Walter Gropius and Otto Haesler planned the settlement with the colla­bo­ration of other architects.

The estate is one of the most important examples of Neues Bauen archi­tecture in Germany.

Background

Due to the lack of construction activity during the period of World War I, the housing shortage in Germany during the following 1920s was catastrophic.

After the end of inflation in 1924 and the recovery of the economy, construction resumed, but housing remained unaffordable for the lower middle class.

For these reasons, coope­rative building associa­tions were founded in numerous cities such as Berlin, Fankfurt, Dessau, Breslau and Karlsruhe, and new affordable housing estates were built.

Competition

In 1928, the city of Karlsruhe announced a compe­tition for the develo­pment of the city-owned Dammerstock site with the aim of building small and very small apart­ments for middle- and lower-income families by mid-1929.

Eight external archi­tects were invited to take part in the compe­tition, including Walter Gropius, Otto Haesler, Richard Döcker, Franz Roeckle, Max Schmechel and Wilhelm Riphahn with Caspar Maria Grod.

In addition, 43 local archi­tects from Karlsruhe took part in the competition.

The jury was promin­ently repre­sented by Ernst May, Ludwig Mies van der Rohe and Otto Völckers, among others.

Walter Gropius and Otto Haesler

The concept by Walter Gropius won first prize, followed by the plan by Otto Haesler.

Gropius subse­quently took over as artistic director and, in this capacity, deter­mined the design guide­lines for the estate.

He also coordi­nated the activities of the archi­tects involved in the project.

Row Construction

Gropius‘ most important planning idea was the row construction method. Instead of the conven­tional perimeter block develo­pment, building took place in north-south parallel rows, the ends of which were alter­nately provided with trans­verse head buildings.

The goal was optimal sun exposure, light in the bedroom in the morning and in the living rooms in the afternoon.

Die Gebrauchswohnung

The city presented the model housing estate to the public in October 1929 with the exhibition „Die Gebrauchswohnung“.

Kurt Schwitters was respon­sible for the design of the accom­panying publications.

In 1928, architect Otto Haesler from Celle designed the entrance to the housing estate as a multi­func­tional entrance building with a restaurant and associated tenant’s apartment, with a district heating plant, a central laundry building, and three additional apart­ments with associated garages.

Kurt Schwitters designed the lettering and the schematic ground plan of the settlement on the gate building.

The two-story central heating and laundry building was also built between 1928 and 1929 according to plans by Otto Haesler and was remodeled in 1974 by archi­tects Rossmann and Partner for use as an archi­tec­tural office.

Additional interior windows have preserved the original venti­lation flaps.

Due to the world economic crisis, only 228 of the planned 750 apart­ments of the Dammerstock housing estate were built.

Expansion and Renovation

It was not until after 1949 that the city continued construction of the settlement according to Gropius‘ original plans.

The estate, which has since been renovated in accordance with the preser­vation order, is still fully inhabited today.

In 1991, the site was regis­tered as a cultural monument of special importance. In the years before, the thermal insulation of the facades as well as the partial repla­cement of the original windows was carried out.

The ground plans remained largely unchanged.

Dammerstock Estate, 1928-1929. Architect: Walter Gropius. Photo: Daniela Christmann

Dammerstock Estate, 1928–1929. Architect: Walter Gropius. Photo: Daniela Christmann

Dammerstock Estate, 1928-1929. Architect: Walter Gropius. Photo: Daniela Christmann

Dammerstock Estate, 1928–1929. Architect: Walter Gropius. Photo: Daniela Christmann

Dammerstock Estate, 1928-1929. Architect: Walter Gropius. Photo: Daniela Christmann

Dammerstock Estate, 1928–1929. Architect: Walter Gropius. Photo: Daniela Christmann

Dammerstock Estate, 1928-1929. Architect: Walter Gropius. Photo: Daniela Christmann

Dammerstock Estate, 1928–1929. Architect: Walter Gropius. Photo: Daniela Christmann

Dammerstock Estate, 1928-1929. Architect: Franz Roeckle. Photo: Daniela Christmann

Dammerstock Estate, 1928–1929. Architect: Franz Roeckle. Photo: Daniela Christmann

1 Comment

  1. The textured glass and mullion pattern in the stair towers is most striking. Particularly like the operable windows being vision glass to distin­guish them from the fixed textured glazing. A Gropius Building that I was unfamiliar until now.

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